Open Letter to AEA President Kate Shindle from Pro99 AEA Members

Fellow AEA members of #Pro99, we have written this letter to AEA President Shindle in response to her Inaugural Column in Equity News.

If you are AEA, and you would like to add your name as a signer to the letter, which we will also disseminate publicly, please click the link here or below, to add your name. 
Thank you, Fellow AEA Members of #Pro99

signature-for-kate-letter

Dear President Shindle,

We, the undersigned members of AEA who support the Pro99 movement, both in the L.A. area and around the nation, congratulate you on your win, and wish you a successful term as President of our beloved union. We were satisfied that our passionate campaigning helped to elect you, and appreciated that during your campaign you came to Los Angeles to meet with us and express your interest in the 99-Seat debacle that has galvanized our Los Angeles Theatre Community.

In your “Inaugural Column” in the July/August 2015 edition of Equity News you wrote: “Everyone has a different definition of what’s cool; to me, the coolest thing Equity can do is to encourage its members to be passionate, vocal activists and ambassadors. Because that will not only make our industry more successful, it will also make our union stronger.”

We couldn’t agree more. We are also encouraged and grateful that you mention our cause in your column, especially since we do not feel we have always been fairly represented in Equity News and emails — that is, when we’ve been represented at all. Thank you for your willingness to both meet with us and publicly discuss what absolutely continues to be a crisis in our union. As you noted, we do have much to celebrate about intimate theatre in L.A. — almost thirty years of rich and creative work under the guidelines endorsed by our own union.

However, we’re concerned about your mention of a recent Fringe Festival production that was produced under the proposed “New 99-Seat Theatre Agreement.” Though you present it as something to perhaps celebrate, we wish to be clear that that Agreement is precisely what an overwhelming majority of local AEA members voted against in the advisory referendum (66%: a landslide). As you can imagine, LA members don’t consider this an event to celebrate. We think it is, in fact, the problem, and not the solution. Worse, we think the way the new agreement was promulgated by the union is even more problematic for the democratic process. We have found the actions and messaging of the leadership of our union troubling, and the fact that the leadership ignored the will of its own membership is deeply disturbing. Worst of all, we firmly believe this new plan will effectively destroy our vibrant theatrical community.

We love our union. We have, from the beginning, offered to work with Council and staff to find a solution that will not only address our concerns, but also make our union stronger and respectful of local members’ needs. We welcome turning a new page with your support and willingness to listen to us articulate the realities of our community in order to resolve this crisis.

In solidarity,
Members of AEA #PRO99 movement

About “Intimate Theatre” and #Pro99:

Over the past 50 years, whether it be 99-Seats in L.A., Off-Off Broadway in New York, or companies starting out like Steppenwolf in Chicago, some of the most important productions in American theatre history have originated in “intimate theaters.” Right now, a 99-seat production from Los Angeles of “Spring Awakening” is opening on Broadway, with twenty members of the original LA cast all earning multiple contract weeks and, proudly, earning their Equity cards. This is only one of countless examples — hundreds of shows, thousands of contracts for hundreds of thousands of work weeks — over several decades that have come directly from intimate theatre productions, creating opportunities and work for actors, stage managers, playwrights, directors and designers. This is not just a Los Angeles issue, members across the country share similar issues that create the need for intimate theatre where AEA actors can do their work. To attack the state of 99-Seat theatre is to attack the core of American theatre. We must preserve these venues, not destroy them.

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